Maneki Neko , completed July 23, 2015 Here is a photographic illustration of how I make lino block prints... original pencil sketch Every lino starts with a sketch. Often I will flip the image (and resize if necessary) using the computer. Sometimes I can trace onto the block directly from the original. Here I am using graphite paper to transfer the drawing (which is under the white paper in this photo). Note that the image has been flipped. Since I work primarily on a small scale (usually smaller than 2" x 3" - 5 x 7.5 cm), I typically use just three blade types for cutting the design into the linoleum: the #1 V blade for details, the #2 V blade for further outlining, and the #5 U blade for removing the excess linoleum. Here I have cut the detail lines and the outline once with the #1 blade. This is the second outline with the #1. I widen the outline around the image in stages for two reasons. First, one is less likely to
Moon Phase & Black Cat Version II Tiny concertina softcover art book, 1-1/8" square I have loved tiny books since I was a kid, and I used to both collect them and make them. I usually made them with staples, because as a kid, that seemed like the most logical binding, but I also experimented with string, tape, and brads. I would draw comics in them, usually cats, after they were bound, which was rather ass-backwards of me. So now I'm a wee bit older and I still love making books (and I still have 4 tiny books from my original collection). I wanted to show how I made this one, which is composed of thick black paper, parchment style paper, hand-carved stamps, and a ribbon closure. All materials are archival safe. How it's Made: It always begins with a pencil drawing. After sketching out the moon phase cats, I transferred the drawings to pink stamping material and carved each one by hand. I love the primitive look of hand stamping and I wanted this book to be reprodu